April 2019’s Page Turner

Page Turners

Page Turners

by Val Tobin

Agents and editors will often decide whether a book is for them by reading the first page of a manuscript. Many readers also decide to buy a book based on that critical first-page sample. Each month I’ll post the first page of a book and you’ll vote on whether or not you’d read the book based on the sample.

After you vote, I’ll let you know the title of the book, my reaction to the sample, and why I’d keep reading or why I’d put it down. The goal is to have fun while we explore the beginnings of a variety of books and what compels readers to keep reading.

While I won’t divulge the title or author until you’ve read the piece, I will include the genre and any preliminary items (for example, quotes) you’d see when opening the book on your own.

Today’s Excerpt

Genre: Historical Fiction

You are my witness. ISAIAH 43:10–11

Memories are what you no longer want to remember. JOAN DIDION


Hannah and Anna

Berlin–New York


Berlin, 1939

I was almost twelve years old when I decided to kill my parents.

I had made up my mind. I’d go to bed and wait until they fell asleep. That was always easy to tell because Papa would lock the big, heavy double windows and close the thick greenish-bronze curtains. He’d repeat the same things he said every night after supper, which in those days had become little more than a steaming bowl of tasteless soup.

“There’s nothing to be done. It’s all over. We have to leave.”

Then mama would start shouting, her voice cracking as she blamed him. She’d pace the whole apartment—her fortress at the heart of a sinking city; the only space she’d known for more than four months—until she wore herself out. Then she’d embrace Papa, and her feeble moans would finally cease.

I’d wait a couple of hours. They wouldn’t put up any resistance. I …


Would you turn the page? Vote now.

April 2019 Poll: Would you turn the page?

Today’s Book Revealed

Today’s book is The German Girl by Armando Lucas Correa.

Blurb from Amazon

The German Girl

The German Girl

A stunningly ambitious and beautiful debut novel, perfect for fans of Sarah’s Key and All the Light We Cannot See, the story of a twelve-year-old girl’s harrowing experience fleeing Nazi-occupied Germany with her family and best friend, only to discover that the overseas asylum they had been promised is an illusion.

Before everything changed, Hannah Rosenthal lived a charmed life. But now, in 1939, the streets of Berlin are draped with red, white, and black flags; her family’s fine possessions are hauled away; and they are no longer welcome in the places that once felt like home. Hannah and her best friend, Leo Martin, make a pact: come what may, they promise to have a future together.

A glimmer of hope appears in the form of the St. Louis, a transatlantic liner that can provide Jews safe passage to Cuba. After a frantic search to obtain visas, the Rosenthals and the Martins depart on the luxurious ship bound for Havana. Life on board the St. Louis is like a surreal holiday for these refugees, with masquerade balls, exquisite meals, and polite, respectful service. But soon ominous rumors from Cuba overshadow the celebratory atmosphere, and the ship that once was their salvation seems likely to become their death sentence. Hannah and Leo must make an impossible choice or risk losing everything that matters.

Seven decades later in New York City, on her twelfth birthday, Anna Rosen receives a package from Hannah, a great-aunt she has never met but who raised her deceased father. In an attempt to piece together her father’s mysterious past, Anna and her mother travel to Havana to meet this elderly relative. Hannah tells them of her astonishing journey on the St. Louis and, for the first time, reveals how she and Leo honored the solemn pact they had made. By connecting the pain of the past to the mysteries of the present, Hannah gives her young great-niece a sense of their shared histories, forever intertwining their lives, honoring those they loved and cruelly lost.

Would I Turn the Page?

Yes. This book was a selection for the book club to which I belong, and if it weren’t for that, I wouldn’t have picked it up, but once I did, I got right into it and read it quickly. The speed at which I read a book indicates how much I’m enjoying it, and this one was one I read in less than a week.

Don’t get me wrong—it wasn’t the type of page-turner I typically think of as a page turner: thrilling, suspenseful, exciting—this was historical fiction and disturbing. Typically, I read those at a slower pace, because I know nothing good will result for the characters. I expect it to evoke feelings of frustration, rage, grief—all kinds of negative emotions. True enough, in this case, since the story was about a German Jewish family escaping Nazi Germany on the St. Louis, the ship that was refused entry to its passengers in numerous countries. The original destination was Cuba, and a few managed to gain entry there, but many were turned away. To the shame of Canada and the U.S., they were refused entry to those countries.

Even though the passengers had paid exorbitant fees to get on the ship—paying for a return trip when they expected a one-way voyage—they were refused entry everywhere they went. Facing certain death in the concentration camps, they returned to Europe. Belgium, the Netherlands, the U.K., and France accepted some of the refugees. Many of the refugees ended up in the death camps and died there.

This isn’t a light read, but it’s a timely one and important for anyone who wants to learn from the past to avoid repeating it.

It’s well-written and engaging, even though it’s also heartbreaking. I’ve heard it said that reading fiction teaches empathy. This book validates that.

What do you think?

Does this passage from The German Girl intrigue you? Does it make you want to turn the page and continue reading? Will you run out now and buy the book? Borrow it?

Val Tobin writes speculative fiction and searches the world over for the perfect butter tart. Her home is in Newmarket, Ontario, where she enjoys writing, reading, and talking about writing and reading.

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Douglas Owen
4 years ago

Ugh, no. The first sentence turned me off with the “was” statement, thinking it could have been more active. Then the next sentence started with “I” just like the first one and I knew the repetition would continue through the work like that. So the answer is a big resounding “No”.

Sandy Day
4 years ago

No. “the big, heavy double windows and close the thick greenish-bronze curtains” Nope nope nope.