|Short Description of Yourself||
Mary has published two collections of research on dance: The Oxford Handbook of Hip Hop Dance Studies (2022, co-edited with Imani Kai Johnson) and Movies, Moves, and Music: The Sonic World of Dance Films (2016, co-edited with Mark Evans). Her other recent research appears in Contemporary Music Review (2021), We Still Here: Hip Hop North of the 49th Parallel (Marsh and Campbell, eds., 2020), Beyoncé: At Work, On Screen, and Online (Iddon and Marshall, eds., 2020) and The Oxford Handbook of Dance Competition (Dodds, ed., 2019). She is currently the co-editor of Contemporary Music Review, and serves on the editorial board of Global Hip Hop Studies, and DIY, Alternative Cultures and Society, as well as on the International Advisory Board of IASPM Journal.
|Writing Focus or Interests||
poetry, short stories, non-fiction, academic
|Published Works and Recognitions||
Co-editor of The Oxford Handbook of Hip Hop Dance Studies (2022), Movies, Moves, and Music: The Sonic World of Dance Films (2016), and Taking Taylor Seriously (2021), a special issue of Contemporary Music Review.